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Kyrie in C

Fragment, ergänzt von Maximilian Stadler

COMPOSER: Wolfgang Amadeus Mozart
PUBLISHER: Carus Verlag
PRODUCT TYPE: Part
INSTRUMENT GROUP: Mixed Choir
Both of the Kyrie settings in E flat major K. 322 [1778/79] and C major K. 323 [probably not prior to 1790] belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart’s original drafts were so extensive and well advanced that Abbé Maximilian
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Specifications
Subtitle Fragment, ergänzt von Maximilian Stadler
Composer Wolfgang Amadeus Mozart
Arranger Maximilian Stadler
Editor Bernhard Janz
Publisher Carus Verlag
Instrumentation SATB, 2 Ob, 2 Bassoon, 2 CTrumpet, Timp, 2 Violins, Viola and BC
Language L
Product Type Part
Instrument Group Mixed Choir
Year of Publication 2008
Genre Mass
Voicing SATB
No. Pages 4
No. CV5132311
Part {Instrument} Violin
Description
Both of the Kyrie settings in E flat major K. 322 [1778/79] and C major K. 323 [probably not prior to 1790] belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart’s original drafts were so extensive and well advanced that Abbé Maximilian Stadler, Mozart’s friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text [Kyrie], as well as the text from the first edition [Regina coeli], sothat the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter.
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